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2017-05-28

shintanakajima_silver

Last chance to see! Until this Saturday:D “Renew

Last chance to see! Until this Saturday:D
“Renewed ornamentation”
@gallery_fumi
Photo credits: @penguinseggphoto

Last chance to see! Until this Saturday:D “Renew

Last chance to see! Until this Saturday:D
“Renewed ornamentation”
@gallery_fumi
Photo credits: @penguinseggphoto

Fugacious Vessel III A 2022, Copper, Silverplating

Fugacious Vessel III A
2022, Copper, Silverplating, Goldreaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

New works for my solo show “Renewed Ornamentatio

New works for my solo show “Renewed Ornamentation” @gallery_fumi
Britannia silver.
Photo by @dama_japan

New works for my solo show “Renewed Ornamentatio

New works for my solo show “Renewed Ornamentation” @gallery_fumi
Britannia silver.
Photo by @dama_japan

New works for my solo show “Renewed Ornamentatio

New works for my solo show “Renewed Ornamentation” @gallery_fumi
Britannia silver.
Photo by @dama_japan

New works for my solo show “Renewed Ornamentatio

New works for my solo show “Renewed Ornamentation” @gallery_fumi
Brass, 23ct gold plating.
Photo by @dama_japan

New works for my solo show “Renewed Ornamentatio

New works for my solo show “Renewed Ornamentation” @gallery_fumi
Brass, 23ct gold plating.
Photo by @dama_japan

Behind the work VI : Joined together and ready to

Behind the work VI : Joined together and ready to sulfur!

Behind the work V : Just finished tin plating to e

Behind the work V : Just finished tin plating to express the random imperfections of nature of acanthus. After then I heated up!

Behind the work IV : For this piece, I applied the

Behind the work IV : For this piece, I applied the special Japanese technique of alloying on the copper surface. It developed at northern region, Niigata prefecture. When the tin plated on the copper surface is heated up at a high temperature, these are fused on the surface, then become a kind of bronze alloy. As you can see in the second photo, the beautiful yellowish bronze pattern will appear when it is sulfured. Also this composition of alloy will be change about how much heated up, so it means the silver colour of tin is getting bronze the more you heat.

Behind the work III : try to formulate dense rhyth

Behind the work III : try to formulate dense rhythmic leaves.🌿

Behind the work II : Different leaves, different s

Behind the work II : Different leaves, different shapes 🍂

Behind the work I : Forming from pierced leaf, it

Behind the work I : Forming from pierced leaf, it was a fascinating process because its shape depends on conversations with the sheet metal.
Sympathising with the material and letting it leave as it wants to flow.

Fugacious Vessel III C 2022, copper, silverplating

Fugacious Vessel III C
2022, copper, silverplating, goldleaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel III B 2022, copper, silverplating

Fugacious Vessel III B
2022, copper, silverplating, goldleaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel III B and C 2022, copper, silverp

Fugacious Vessel III B and C
2022, copper, silverplating, goldleaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel II 2022, Copper In this project,

Fugacious Vessel II
2022, Copper
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

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