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2017-05-28

shintanakajima_silver

Fugacious Vessel III C 2022, copper, silverplating

Fugacious Vessel III C
2022, copper, silverplating, goldleaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel III B 2022, copper, silverplating

Fugacious Vessel III B
2022, copper, silverplating, goldleaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel III B and C 2022, copper, silverp

Fugacious Vessel III B and C
2022, copper, silverplating, goldleaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel II 2022, Copper In this project,

Fugacious Vessel II
2022, Copper
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel II 2022, Copper In this project,

Fugacious Vessel II
2022, Copper
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel II 2022, Copper In this project,

Fugacious Vessel II
2022, Copper
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel I 2022, copper, tin In this proje

Fugacious Vessel I
2022, copper, tin
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel I 2022, copper, tin In this proje

Fugacious Vessel I
2022, copper, tin
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel I 2022, copper, tin In this proje

Fugacious Vessel I
2022, copper, tin
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel III D 2022, Copper, Silverplating

Fugacious Vessel III D
2022, Copper, Silverplating, Goldleaf.
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel III A 2022, Copper, Silverplating

Fugacious Vessel III A
2022, Copper, Silverplating, Goldreaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Fugacious Vessel III B and C 2022, copper, silverp

Fugacious Vessel III B and C
2022, copper, silverplating, goldleaf
In this project, I aim to renew the ornamentation in silversmithing by re-observing its nature of life that is retained as the "semiotic decoration”.
By subjective observing, I want to preserve the beauty of the Acanthus in its original form, with the rhythm of the dense foliage, the chips and stains.

Carl Jung said in his book; Psychological Types, “The symbol is alive only so long as it is pregnant with meaning.”p.434

TRANSFORMATION: Jewellery and Objects
Exhibition open to the public from Saturday 14th January until Tuesday 17th January 10.00 – 16.00
📍Yorkshire Artspace -Persistence Works, 21 Brown St, Sheffield City Centre, Sheffield S1 2BS

MA, MFA student of Jewellery and Metalwors exhibit

MA, MFA student of Jewellery and Metalwors exhibition will start in Sheffield city centre from this weekend!

TRANSFORMATION: Jewellery and Objects
Exhibition open to the public from Saturday 14th January until Tuesday 17th January 10.00 – 16.00
📍Yorkshire Artspace -Persistence Works, 21 Brown St, Sheffield City Centre, Sheffield S1 2BS

In this project, I aimed to renew the “semiotic

In this project, I aimed to renew the “semiotic meaning” of Acanthus in silversmith to the symbolic significance.

TRANSFORMATION: Jewellery and Objects
Exhibition open to the public from Saturday 14th January until Tuesday 17th January 10.00 – 16.00
📍Yorkshire Artspace -Persistence Works, 21 Brown St, Sheffield City Centre, Sheffield S1 2BS

“Stone Corbels” Sheffield city hall Since I s

“Stone Corbels”
Sheffield city hall

Since I started my MFA in Sheffield, I am confronting with the question, ”why do we decorate?” I could get a confidence to some extent now, and I am looking forward to sharing it with you soon!

“Forged ornaments” Sheffield town hall Since

“Forged ornaments”
Sheffield town hall

Since I started my MFA in Sheffield, I am confronting with the question, ”why do we decorate?” I could get a confidence to some extent now, and I am looking forward to sharing it with you soon!

Do you know the name of this plant and why it is p

Do you know the name of this plant and why it is placed underneath of cup..?

Since I started my MFA in Sheffield, I am confronting with the question, ”why do we decorate?” I could get a confidence to some extent now, and I am looking forward to sharing it with you soon!

”Cup and cover”
Elkington & Co., Birmingham
Electrotype, 1882
Collection of Millennium Gallery, Sheffield. @sheffmuseums

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